Press

Alpa of Switzerland, "The Alpa Log: Happy Birthday Massimo Vitali", Alpa, 4 January 2024

Rica Cerbarano, "Il Punto annuale della fotografia al Todi Circle",  Il Giornale dell'Arte, 20 June 2024

Simone Azzoni "Photography and the archive according to Massimo Vitali", Juliet Art Magazine, 4 July 2024

"Enjoy summer forever with Italian photographer Massimo Vitali's iconic beach scenes", Artnet.com, 9 August 2024

Federico Cusin "Microstorie balneari: la società contemporanea attraverso la lente di Massimo Vitali", Lampoon Magazine, 15 August 2024

Nicoletta Leni Di Ruocco, "L'ordinato caos di Massimo Vitali", Universo Foto, 21 August 2024

Sandra Salibian, "Massimo Giorgetti Lingers on Summer Vibes Curating Exhibition on the Italian Riviera", Women's Wear Daily, 2 September 2024

Alessia Caliendo "A Riccione una mostra celebra la Romagna dal punto di vista di Massimo Giorgetti, il direttore creativo di MSGM. Intervista", Artribune, 4 September 2024

"La mostra Anemoia è un viaggio nella Riccione di un tempo", Corriere della Sera: Living, 6 September 2024

Giovanni Currado "Photolux Festival 2024: Il Volto dell'Italia in fotografia", agrpress, 7 October 2024

BOOK

"Through the Lens: Masters of Photographic Artistry" wcc.art, Austin (TX), United States of America, , 15 March 2024, pp. 90-91

videos

Platform #3 Special Maintenance Day. Massimo Vitali, 26 February 2024, Filmed by Flora del Debbio

Riccione Shooting - Massimo Vitali. Massimo Vitali, 3 September 2024, Filmed by Flora del Debbio

“Photographers are a bit easy going. They are not obsessed with details as me”, ALPA Cameras Newsletter, March 2023.

Maddalena Fossati, “Vacanze Italiane”, Condé Nast Traveller, n.96, Estate 2023, June 2023, pp. 38-43.

Firenze architettura, Vol 26, No 2 (2022): luogo, July 2023, pp. 6-15.

Elisabetta Chiono, “Arte contemporanea in scena sul palco del Kappa FuturFestival di Torino”, Exibart, July 3, 2023

Darío Prieto, “Massimo Vitali: La clave no es hacer fotos bellas, sino interesantes”, El  Mundo, July 3, 2023.

“Oasy Contemporary Art, il nuovo progetto tra arte e natura sull’Appennino Pistoiese”, Artemagazine, July 18, 2023.

Andrea Nannini, “Arte e natura senza più confini Nuovo progetto nell’Oasi Dynamo”, La Nazione, July 19, 2023.

Maria Vittoria Baravelli, “Un’estate Italiana”, Marie Claire Maison, 2023.

Guy Lane, “No poor person decides how they get photographed”, The Guardian, July 24, 2023.

Marta Santacatterina, “Abbiamo visitato OCA, il nuovo parco per le arti contemporanee sull’Appennino Pistoiese”, Artribune, August 4, 2023.

Elsa Barbieri, “La Grande Oasi. The way we live, now: Massimo Vitali inaugura OCA Oasy Contemporary Art”, Exibart, August 14, 2023.

Tom Ravenscroft, “Six sea pools that provide ‘safe access to water for all’”, Dezeen, August 15, 2023.

Martina Pappalardo, “L’estate nei ritratti di Massimo Vitali, tra cultura balneare e festival”, Exibart, August 23, 2023

“Massimo Vitali per il progetto 12X12 di COTM e Autolinee Toscane”, Il Fotografo, August 29, 2023.

Manuela de Leonardis, Cortona on the move: “More or less”, l’impronta politica del festival internazionale, Alias Il Manifesto , September 23, 2023.

BOOK

Chris Romer-Lee, Sea Pools. Batsford, 2023, pp. 36-37.

videos

Massimo Vitali: Studio Visit. Mazzoleni Art.  Filmed by Flora Del Debbio.

Visite avec agnès b. dans l'exposition "Le langage du corps" – La Fab. officiel

online show

Pilgrimage to the sun, Online Group Show, M+B Los Angeles, August 5-31, 2023.

“Photographers are a bit easy going. They are not obsessed with details as me”, ALPA Cameras Newsletter, March 2023.

Maddalena Fossati, “Vacanze Italiane”, Condé Nast Traveller, n.96, Estate 2023, June 2023, pp. 38-43.

Firenze architettura, Vol 26, No 2 (2022): luogo, July 2023, pp. 6-15.

Elisabetta Chiono, “Arte contemporanea in scena sul palco del Kappa FuturFestival di Torino”, Exibart, July 3, 2023

Darío Prieto, “Massimo Vitali: La clave no es hacer fotos bellas, sino interesantes”, El  Mundo, July 3, 2023.

“Oasy Contemporary Art, il nuovo progetto tra arte e natura sull’Appennino Pistoiese”, Artemagazine, July 18, 2023.

Andrea Nannini, “Arte e natura senza più confini Nuovo progetto nell’Oasi Dynamo”, La Nazione, July 19, 2023.

Maria Vittoria Baravelli, “Un’estate Italiana”, Marie Claire Maison, 2023.

Guy Lane, “No poor person decides how they get photographed”, The Guardian, July 24, 2023.

Marta Santacatterina, “Abbiamo visitato OCA, il nuovo parco per le arti contemporanee sull’Appennino Pistoiese”, Artribune, August 4, 2023.

Elsa Barbieri, “La Grande Oasi. The way we live, now: Massimo Vitali inaugura OCA Oasy Contemporary Art”, Exibart, August 14, 2023.

Tom Ravenscroft, “Six sea pools that provide ‘safe access to water for all’”, Dezeen, August 15, 2023.

Martina Pappalardo, “L’estate nei ritratti di Massimo Vitali, tra cultura balneare e festival”, Exibart, August 23, 2023

“Massimo Vitali per il progetto 12X12 di COTM e Autolinee Toscane”, Il Fotografo, August 29, 2023.

Manuela de Leonardis, Cortona on the move: “More or less”, l’impronta politica del festival internazionale, Alias Il Manifesto , September 23, 2023.

BOOK

Chris Romer-Lee, Sea Pools. Batsford, 2023, pp. 36-37.

videos

Massimo Vitali: Studio Visit. Mazzoleni Art.  Filmed by Flora Del Debbio.

Visite avec agnès b. dans l'exposition "Le langage du corps" – La Fab. officiel

online show

Pilgrimage to the sun, Online Group Show, M+B Los Angeles, August 5-31, 2023.

Raffaela Mercurio, "Massimo Vitali: Il fotografo (non solo) delle spiagge", La Ragione, November 20, 2022

Ana Vukadin, "Panorama’s Second Edition on the Glittering Adriatic Coast Offers Chance Encounters with Ancient and Contemporary Artworks", Artnet, September 2, 2022

Giulia Ronchi, "Tutti in mare all’alba a Monopoli. La mega performance dell’artista-fotografo Massimo Vitali", Artribune, September 2, 2022

"La playa, un estudio antropológico", El País, August 13, 2022

"Snowscapes with people", in 1814 Magazine, n. 15, 2022

Olga Cantini, "Intervista a Salvatore Astore e Massimo Vitali, i due artisti in mostra alla galleria Mazzoleni di Torino", Segnonline, May 1, 2022

Eli Anapur, "Mazzoleni Showcases Massimo Vitali's Socio-Anthropological Approach to the Beach", Widewalls, April 16, 2022

Federica Maria Giallombardo, “Vedere il presente. La fotografia di Massimo Vitali in mostra a Torino”, Artribune, May 25, 2022.

Sophie Gladstone, "Photographer Massimo Vitali on swapping blissful bathers for outdoor furniture”, Wallpaper*, May 11, 2022.

Federico Jonathan Cusin, “Microstorie balenari: la società contemporanea attraverso la lente di Massimo Vitali”, Lampoon, April 21, 2022.

“Massimo Vitali interprets the latest outdoor furniture for Wallpaper*”, Wallpaper*, April 17, 2022.

“Rock Stars”, Wallpaper Design Issue, May 2022, pp.118-129.

Eli Anapur, “Mazzoleni Showcases Massimo Vitali's Socio-Anthropological Approach to the Beach”, Exhibition review, Widewalls, April 16, 2022.

“Massimo Vitali. Ti ho visto”, Press Release of the exhibition at the Mazzoleni gallery in Turin, April 2022.

Enrico Ratto ,"Massimo Vitali’s beaches: It is the normality of our lives”, in Domusweb, March, 2 2022.

Lorenzo Guasti, “L'importanza dell'Nft di Massimo Vitali”, la Repubblica, February 23, 2022.

Costanza Baldini, “Un nuovo Rinascimento dell’arte: la rivoluzione degli NFT passa dalla Toscana”, intoscanaFebruary 14, 2022.

Azzurra Immediato, “Ridisegnare lo spazio | LABS Contemporary Art Bologna”, Segnonline, February 2022.

Angela Madesani, text of the exhibition Ridisegnare lo spazio at Labs Contemporary Art, Bologna, February 2022.

Pio Tarantini, "Una storia italiana per Massimo Vitali" in FPmag, January 2022.

Videos

Noemi Pittaluga, Intervista di Noemi Pittaluga a Massimo Vitali, “Photography for me is everything”, published on May 29, 2022.

Mentelocale.it, Massimo Vitali e Salvatore Astore in mostra alla Galleria Mazzoleni di Torino, published on April 13, 2022

Podcast

“ARTEsFATTI#20 - Massimo Vitali - Fotografo”, Radio Ca’ Foscari, July 26, 2022.

“A Photo 2022, l'Italia dopo la prima ondata di Covid ritratta da Massimo Vitali” by Francesca Rizzoli, SBS italiano, May 18, 2022.

Anna Maria Monteverdi, "Le fotografie di Massimo Vitali nel libro di Noemi Pittaluga" in Digital Performance, December 28, 2021.

Angelo Galantini, "Massimo Vitali. Vogue Italia" in FOTOgraphia, December 2021, p. 20.

Francesco Cascino, "Massimo Vitali. Dalla vista alla visione" in Art a part of culture, October 1, 2021.

Michele Fossi, “Nel mare diafano”, Vogue Italia, n.852, September 2021, pp. 162-164.

Gianluca Marziani, "Massimo Vitali. Stessa spiaggia stesso mare" in ArteIn, June - July 2021, pp. 44-46.

Sergio Risaliti, Text of the exhibition Pienovuoto at Forte di Belvedere, Florence, June 2021.

Olivia Laing, “Group think: why art loves a crowd” in The Guardian, May 23, 2021.

Books

Noemi Pittaluga, Massimo Vitali. Una storia italiana, Ledizioni, 2021.

Videos

Massimo Vitali, maestro della mostra PIENOVUOTO | Forte di Belvedere, published on July 1, 2021.

Associazione Di iDee, XV puntata di "INTERVISTATI" con Massimo Vitali, published on April 14, 2021.

Massimo Coppola, "Storie di animali sociali sanificati in cerca di una nuova normalità. Ci scorderemo della pandemia" in Domani, Novembre 15, 2020.

Angela Madesani, “L’estate italiana 2020 nelle fotografie di Massimo Vitali”, in Artribune, December 25, 2020.

Text from the exhibition “New Normal” at La Fab. (Paris) opened on October 9, 2020.

Das Erste/WDR, “Massimo Vitalis hidden object pictures – insight into other worlds”, in Titel Thesen Temperamente, ALPA of Switzerland, September 27, 2020.

“Entering a New World, Interview with photographer Massimo Vitali” in Where About Now, April 20, 2020.

Hugo Hoppmann & Sarah Discours, “Massimo Vitali” in Present.xx, August 30, 2020.

Costanza Baldini, “Massimo Vitali: il fotografo ‘innamorato’ degli assembramenti”, in intoscana, August 14, 2020.

Peigi Mackillop, “A Talk About Hope, Vogue And Vilebrequin With Italian Photographer Massimo Vitali” in The Art Gorgeous, August 14, 2020.

Vogue Italia Instagram Account (post published on August, 3, 2020). More on #VogueHope Portfolio in English here, and in Italian here.

“What Artists Are Doing Now. Italian photographer Massimo Vitali in Lucca”, in Arterritory.com, July 17, 2020.

Christian House, “The crowds and the emptiness” in Standpoint, July 10, 2020.

Cody Delistraty, “Massimo Vitali. The fine-art photographer shares a few of his favorite things” in The Wall Street Journal Magazine, June-July 2020, p. 96.

“Entering a New World: Reviewed by Blake Andrews”, in Photo-eye, June 1, 2020.

Paola Curci, “Massimo Vitali: l’antitesi della fotografia moderna” in Artwave, April 18, 2020.

Francesco Cascino, post published on Facebook on April 16, 2020.

Lisa O’Kelly, “The big picture: Massimo Vitali shoots a bustling Brazilian market” in The Guardian, March 15, 2020.

David Plante, The Photographs of Massimo Vitali, Specially Written Contribution, February 11, 2020.

Andrea Busto, Massimo Vitali. Costellazioni umane (Human Constellations), press release of the exhibition in Turin at the Ettore Fico Museum, February 26 – July 5, 2020.

“Massimo Vitali: l’irresistibile richiamo del paesaggio”, in Il Fotografo, 2020.

Andrea Carloni and Carlotta Ferrati, “Massimo Vitali: photographing looking directly at reality”, The Tree Mag, December 2019.

Alan Kostrenčić, “Unease of the Normal” in Oris Magazine, Issue n. 86, p. 250-261.

Benjamin Barron, “Massimo Vitali” in ALL-IN, Issue 04, pp. 13-25.

Camilla Baresani, “Viaggio in Italia” in La cucina italiana, pp. 114-123.

Pía Dalesson, “Large-scale photographs of humanity’s leisure moments” in Pan Magazine.

Ulya Aligulova, Massimo Vitali in ODDA Magazine n. 19, p. 88.

Podcast

“Massimo Vitali – Monologhi al Telefono” a cura di Donatella Giordano in Artribune, June 28, 2020.

“Podcast: a photographic life, episode 99: plus photographer Massimo Vitali”, in The United Nations of Photography, March 18, 2020.

Video

Giulia Vannucci, Discover Human Constellations, September 2020.

Luca Beatrice Instragram video. Available on Massimo Vitali IGTV, published on April 20, 2020.

Giulia Vannucci, Spiaggia libera, August 7, 2020.
Culture @Home on ARTE TV, April 17, 2020.

Interview with Settimio Benedusi pt.2, Available on Massimo Vitali IGTV, published on April 8, 2020.

Interview with Settimio Benedusi pt.1, available on Massimo Vitali IGTV, published on March 22, 2020.

Claire C. Carter, “Beached” in www.massimovitali.com, October 24, 2019.

Tartaro S., Lo sguardo del principe, nel blog di Susanna Tartato, October 23, 2019.

Anastacio B., “Nowness My Place”, in Nowness, October 17, 2019.

Beckert M., Zhong F., “These Photographers Show Instagram What the Beach Really Looks Like” in W Magazine, July 21, 2019.

Monteverdi A. M., Theatrical Perspective 1/2, in www.massimovitali.com, July 10, 2019.

Massimo Vitali, Spiagge, Reportage 21 – Contrasto, Corriere della sera, 27 Giugno, p. 1.

Avermaete T., “Rückzug nach innen” in Rückzug, n. 2, June/August, p. 18.

“Massimo Vitali photographer” in Wallpaper*, n. 242, May, p. 54.

Smyth D., “Massimo Vitali: Short Stories” in British Journal of Photography, March 22, 2019.

Christian House, “Crowd Pleaser” in Christie’s Magazine, September – October 2018, pp. 70 – 81.

Giovanna Calvenzi, “Spazio e Fotografia” in Lo spazio, Corriere della Sera, 2018.

Kyoko Kasuya, Interview with Massimo Vitali in IMA, July 11, 2018. Translated from Japanese.

Ariel Kenig, Massimo Vitali by the Sea in SKP Magazine, Summer 2018.

Landscape Stories n. 28, April 2018.

“The Sea” in Financial Times, August 2017.

Federica Cerami, “Questa estate andrò in vacanza con Massimo Vitali e Alex Prager” in Ilas Magazine, July 31, 2017.

Holly Stuart Hughes, “Massimo Vitali’s Teeming Beaches” in PDN Photography, June 2017.

Loney Abrams, “Massimo Vitali on What Beach-Goers Reveal About the World & Themselves” in ArtSpace, June 2017.

Bryony Stone, “Massimo Vitali: the Italian photographer transforming beach scenes into landscapes” in It’s Nice That, April 2017.

Stephanie Eckardt, “If You’ve Been to the Beach in the Last 20 Years, Massimo Vitali May Have Taken Your Photo” in WMagazine, April 2017.

Brienne Walsh, “Massimo Vitali’s Photographs Will Make You Feel Like You’re On A Fantasy Vacation” in Forbes, April 2017.

Charlotte Jansen, “Seas the day: dive into previously unseen photographs by Massimo Vitali” in WallPaper*, April 2017.

Elisabetta Invernizzi, “Massimo Vitali, il fotografo delle spiagge: “Nei miei scatti c’è l’Italia degli ultimi vent’anni”” in Huffington Post, August 2016.

“Postcards from the edge: Massimo Vitali’s beach scenes – in pictures” in The Guardian, June 2016.

Hettie Judah, “Massimo Vitali captures the architecture of leisure” in The Spaces, May 2016.

Adam Welch, “How Mr. Massimo Vitali Takes His Epic Beach Photos” in The Daily, May 2016.

Ottavia Zanetta, “Massimo Vitali’s Photographs At Ronchini Gallery” in The It Factor Magazine, May, 2016.

George Upton, “Massimo Vitali: Life’s A Beach” in PORT Magazine Online, May 24, 2016.

David Paw, “Beached: Massimo Vitali’s imposing sandscapes at Ronchini Gallery“ in WallPaper*, May 2016.

Elizabeth Fullerton, “Life is a Beach” in F22/STATE, May, 2016.

Tom Seymour, “Massimo Vitali’s beach scenes return to London: “Sexual innuendo and rigid conformism”” in British Journal of Photography, May 2016.

Lisa Cancelli, “Massimo Vitali” in Citizens of Humanity, February 2016.

“Massimo Vitali at the Vatican” in The New Yorker, September 9, 2015.

“Beach Life” in WallPaper, June 3, 2015.

“An Interview with Massimo Vitali” in Sotheby’s, April 29, 2014.

“The Empire State Building” in Ice New York Times Magazine, January 31, 2014, pp. 39-43.

Richard Kern, “Photographing People Once They’ve Left a Work State-of-Mind” in Vice, December 2013.

“Cattedrali del Vino” in Amica November 2013, pp. 160-166.

“Brésil Grand Format” in Geo August 2013, pp. 82-91.

La Lettura, Corriere della Sera, May 12, 2013, on the Cover.

“Immagini à la Plage” in Marie Claire Maison, May 2013, pp. 52-57.

“Brazil Through the Lens of Massimo Vitali” in New York Times Magazine Voyages, March 3, 2013, Cover and pp. 30-37.

“Massimo Vitali” in Zoom Special Issue – Landscape, Winter 2013, pp. 18-21.

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